Tuesday December 15, 2009 10:05
Novie Review: Precious Was $%$#$# Depressing
**This is a guest post by Bokeen. Check out his blog at http://blog.bokeen.com
There are some movies that I would not watch if I were single.
Precious: Based on the Novel “Push” by Sapphire is one such movie. I tend to prefer comedies or movies with explosions and gunplay. When the two elements are combined, I am riveted. Typically, I am not a fan of straight-drama movies, particularly if the film did well at Sundance and critics are raving about it.
One the country has reached a consensus that a dramatic movie is a “must-see,” I tune it out entirely. Perhaps this makes me a tad bit less cultured, but the contrarian in me appreciates the awestruck and confounded look on people’s faces when I explain that I never saw Million Dollar Baby or Slumdog Millionare.
Someday, you will tell your children that there was a time that Eddie Murphy was funny, and they will think that you are full of shit.
Last week, after watching Beverly Hills Cop, a film which deftly combines the aforementioned elements of laughter and violence, boqueen insisted that we watch Precious. I used my Hollywood connections (read: Bittorrent) to obtain a screener copy of the film, and this is my review.
Succinct Synopsis
The film is set in Harlem in 1987, but the Globetrotters are conspicuously absent. Claireece “Precious” Jones is a grossly obese 16-year-old black girl. Precious endures constant verbal and physical abuse from her mother. She was sexually abused by her father, producing a retarded child. In addition, Precious is illiterate and pregnant with her second child.
Precious is inexplicably kicked out of public school for being pregnant. She enrolls in an alternative school, where she meets Miss Rain, an inspirational teacher (cue Gangsta’s Paradise by Coolio.) Precious develops a relationship with a social worker named Mrs. Weiss. While Precious is fully commited to improving her life, she continues to face incredibly adversity and her life continues to suck, proving, for once and for all, that it is in fact a hard knock life.
This is not a good date movie
It is imperative that I warn my male readers that Precious is perhaps the worst date movie in the history of cinema.
From start to finish, Precious is a devastatingly depressing film. It is not depressing in the typical sense, as in “Golly, the end of Forrest Gump was sad.” It is more akin to, “Christ, I just watched Schindler’s List and now I feel guilty for being a human being.”
The start of the movie effectively illustrates Precious’ wretched life in dispiriting detail. Eventually, the audience is led to believe that she is on the road to redemption, fully committed to improving the conditions of her life. An abrupt plot twist near the end of the film serves as the bread for the shit sandwich that is Precious’ life, and immediately makes it clear that there will be no happy ending.
Dear Pudi clan: Obligatory Community reference complete.
By the end of the movie, I felt as if my soul had been ripped out of my body and raped by a demon created by Satan himself. I neglected to mention that the demon had sharp spikes on the end of his penis and that he ejaculated lava.
After watching the movie, I required a form of uplifting entertainment to raise my spirits. I queued up a rerun of NBC’s Community, which served as a comedic palate cleanser after the debilitating experience of watching Precious.
I do not recommend the typical theater fare of popcorn and candy for viewers of this movie. Paxil and bourbon are far more appropriate.
The somber story leaves viewers dejected and incapable of physical intimacy. Beware, young men: if you take your date to see Precious, you won’t be getting to second base at the end of the night. And you certainly won’t be getting a tugger in the Loews parking lot like you did after watching The Proposal.
Okay, that’s enough. Please stop now. Kthanks.
Too many fantasy cut-scenes
Very early in the movie, the audience becomes acquainted with the “happy place” that Precious takes her mind to in order to escape the trauma of her everyday life. She repeatedly fantasizes about being famous: singing while surrounded by backup dancers, trotting up a red carpet and enjoying the adulation of screaming fans or getting her ear licked by a slender, light-skinned brother.
It quickly becomes clear that these fantasies serve as Precious’ defense mechanism. Even after this point is made clear to the audience, the cutaway scenes continue and become longer.
I eventually resorted to yelling at the picture box. “She has these dreams to suppress the pain of her real life. We get it! Enough shots of her fat ass spinning around in a dress!”
The cutaway scenes are a lengthy diversion that interrupts the flow of the film. The first few scenes made sense and helped to define Precious as a character. By the fourth time the technique is used, they feel like an overwrought diversion in indulgent filmmaking, as if the director were pining for an Oscar nomination.
Hi kids! Do you like violence?
The film is interspersed with remarkably violent scenes that create an awkward juxtaposition when compared with the tone of the rest of the film. Frying pans are swung, babies are dropped and obese people fall down stairs. In each case, the scenes are frantic and incredibly brutal to the point of nearly being cartoonish, as if they were pulled from an Eminem song.
I suspected that notable clownish hack Rob Zombie had been brought in to direct these scenes, though I was unable to confirm my suspicion with a quick search of IMDB.
(Consider this paradox: Is it possible that no one takes Rob Zombie seriously anymore when no one took Rob Zombie seriously to begin with? I cannot take credit for writing that one. That’s all Confucius’ handiwork.)
Lenny Kravitz’s heroic portrayal of a tree
Two Grammy award-winning artists had roles in Precious. Mariah Carey played Mrs. Weiss, Precious’ social worker, while Lenny Kravitz played “Nurse John,” who worked at the hospital where Precious delivered her second child.
Carey’s Mrs. Weiss character plays an important role in the film. As the gatekeeper for welfare checks, Weiss meets with the title character multiple times, eventually learning about the incest and abuse that Precious has endured.
Kravitz’s role, on the other hand, is one of very little consequence. He appears in only two scenes in the movie, long enough to kiss Precious on the forehead, making her classmates swoon. He also attends a party for Precious at her school that may have resulted in a sexual encounter with Sherri Shepherd’s “Cornrows” character.
Ultimately, Kravitz’s cameo appearances did absolutely nothing to advance the plot of the film. I am certain that if “Nurse John” had been played by an actor with less than 40 million albums sold worldwide, his scenes would have ended up on the editing room floor.
The decision to cast Lenny Kravitz and include his 78 seconds of screen time in the final cut of the film is a transparent attempt to boost the pop culture relevance of the film. It is quite telling that Kravitz’s name appears prominently on promotional posters for the movie, while there are at least half a dozen characters that are more relevant in the film.
Precious’ linguistic coach.
The questionable omission of subtitles
There were several points in the film where I simply could not understand the words that the title character was saying. This was quite a nuisance because Precious served as the narrator for the entire film.
The most notable example of this came during Precious’ first extended meeting with Mrs. Weiss. As she began an anecdote about the living conditions of her neighbors, boqueen and I leaned forward with puzzled looks on our faces, struggling to comprehend the actress’ words. Her speech was utterly unintelligible, the words mumbled and slurred as if she were talking while chewing on a peanut butter sandwich.
The filmmakers neglected to consider the importance of coherent dialog. Unfortunately, the screener copy of the film that I obtained did not have the option to enable subtitles, which would have been quite helpful in understanding the utterances of Clareece Precious “Mush-mouth” Jones.
White is right
There is an undeniable racist undercurrent in the film, as there seems to be a direct correlation between the lightness of one’s skin and their redeeming values as a character. The positive, heroic characters – Mrs. Weiss and Precious’ teacher, Miss Rain – have very light complexions. Precious fantasizes about being a blonde woman and dancing seductively with the aforementioned skinny light-skinned brother.
A light-skinned woman who has a profound impact at an inner-city school? That is an incredibly unique concept.
On the other hand, Precious’ degenerate parents are decidedly black. Her outrageously violent and abusive mother, portrayed by comedian Mo’Nique, has a medium black complexion. Precious’ father, who is only seen in dream sequences recalling the horror of sexual abuse, is black as an ace of spades.
I am convinced that if Wesley Snipes had a role in the movie, the filmmakers would have decided that his skin was so dark that he would have been cast as a baby-kicking, kitten-drowning vampire serial killer.
Ironically, the movie was directed by Lee Daniels, a black man. The movie was based on a novel written by Sapphire, and adapted into a screenplay by Geoffrey Fletcher; both are black. I found this a bit surprising, as I expected that such obvious racial undertones would have been the work of a cracker-ass cracker, perhaps from a white man born south of the Mason-Dixon line or of German descent.
Ratings
All scores are out of 100.
Overall: 32.24
The acting was excellent, but the story made me want to kill myself.
Rewatchability: 0
The movie was too fucking depressing to watch a second time.
Explosions: N/A
Nudity: 00.005
Brief scene of Precious’ flabby tit as she breastfeeds her newborn child. It is an incredibly disgusting scene, unless you are in to that type of thing, you chubby-chaser
- Category: Uncategorized
- No Comments
Susanne Bier’s 2005 melodrama, Brothers, was just that, a simple soap opera between a war vet, his wife and his brother, and while Jim Sheridan’s update isn’t terribly different at its core, its all-American setting quietly places a firmer emphasis on the toll of our current war at home.
If you’re dreaming of becoming a web worker, check out “Undress for Success: The Naked Truth About Making Money at Home,” by Kate Lister and Tom Harnish. While the book isn’t the first on the topic of working from home, it gives you a lot of what you need to know including a discussion of whether you have the right traits for e-working, jobs you can do in your jammies, useful technologies, scams to avoid and business considerations such as marketing, operations and finance.
Today, I will be reviewing products and the website for the Apples of Gold’s jeweler. I happened upon the website while searching for Christmas gifts and I decided to take a look at their products and services. I am very happy I took the time to really get a feel for this company.
Recent Comments